CONTACT
ABOUT US
About Us
The Dancers
The Artistic Director
TALAWA TECHNIQUE
ABOUT THE TALAWA TECHNIQUE
THEORY/ARTICLES
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
The Octopus Principle in the Talawa Technique™
THE GREETING AND OPENING CLASS
Pedagogical tool: Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
TALAWA TECHNIQUE- RHYTHMIC CONCEPTS UNPACKED
RHYTHMIC CONCEPTS UNPACKED
MUSICAL RHYTHM CONCEPTS
VISUAL REPRESENTATION OF RHYTHM
RHYTHM PHYSICS AND RHYTHM RECEPTION
THE TECHNOLOGIES OF BODY & SPACE.
FULLJOYMENT PRAXIS
The Circle and Wining in the Caribbean and African Diaspora: An Embodied Exploration
Caribbean Dance Index
LIMBO DANCE INFO
ANANSIS WEB
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
RESOURCES
TABANKA TEAM
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
PERFORMANCE REGISTRATION FORM
INNSTUDERINGS RAPPORT
WORKSHOP QUESTIONAIRE
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
CONTACT
ABOUT US
About Us
The Dancers
The Artistic Director
TALAWA TECHNIQUE
ABOUT THE TALAWA TECHNIQUE
THEORY/ARTICLES
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
The Octopus Principle in the Talawa Technique™
THE GREETING AND OPENING CLASS
Pedagogical tool: Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
TALAWA TECHNIQUE- RHYTHMIC CONCEPTS UNPACKED
RHYTHMIC CONCEPTS UNPACKED
MUSICAL RHYTHM CONCEPTS
VISUAL REPRESENTATION OF RHYTHM
RHYTHM PHYSICS AND RHYTHM RECEPTION
THE TECHNOLOGIES OF BODY & SPACE.
FULLJOYMENT PRAXIS
The Circle and Wining in the Caribbean and African Diaspora: An Embodied Exploration
Caribbean Dance Index
LIMBO DANCE INFO
ANANSIS WEB
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
RESOURCES
TABANKA TEAM
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
PERFORMANCE REGISTRATION FORM
INNSTUDERINGS RAPPORT
WORKSHOP QUESTIONAIRE
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
Påmelding
Workshop Signup
Åpen Trening signup
Name
First
Last
Email
*
Obs! obligatorisk!
Phone
*
Obs! obligatorisk!
Your level of Dance
Professional
Student
Amateur
School you attended or attend
KHIO Jazz
KHIO Samtid
Norges Dansehøyskole
Dansekunst og Koreografisk tenkning
Flow
Circle Academi
Bårdar Hip Hop
Bårdar Jazz
Treider
Edvart Munch Danselinje
Edvart Munch Hip Hop Linje
Nordic Black Theatre
Annet
If other please describe here
Your dance background
Modern (western)
Contemporary (western)
Ballet
Jazz
Classical (traditional) African Dance
Classical (traditional) Caribbean Dance
Stylized Caribbean Dance (folk)
Latin Social Dance
"Urban/street/Club" Hip Hop/ Funkstyles
Club/ House
Tap
Clogging
Modern (Caribbean)
Modern (african)
Contemporary (african)
Contemporary (Caribbean)
Describe what type of training you have
If other please describe here
Describe other or give additional info as to what level you have done each style you have ticked.
Reason for wanting to join the workshop
What expectations do you have?
Any considerations?
Are there any special considerations we must take? Epilepsi, allergies to nuts or other?
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