CONTACT
ABOUT US
About Us
The Dancers
The Artistic Director
TALAWA TECHNIQUE
ABOUT THE TALAWA TECHNIQUE
THEORY/ARTICLES
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
The Octopus Principle in the Talawa Technique™
THE GREETING AND OPENING CLASS
Pedagogical tool: Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
TALAWA TECHNIQUE- RHYTHMIC CONCEPTS UNPACKED
RHYTHMIC CONCEPTS UNPACKED
MUSICAL RHYTHM CONCEPTS
VISUAL REPRESENTATION OF RHYTHM
RHYTHM PHYSICS AND RHYTHM RECEPTION
THE TECHNOLOGIES OF BODY & SPACE.
FULLJOYMENT PRAXIS
The Circle and Wining in the Caribbean and African Diaspora: An Embodied Exploration
Caribbean Dance Index
LIMBO DANCE INFO
ANANSIS WEB
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
RESOURCES
TABANKA TEAM
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
PERFORMANCE REGISTRATION FORM
INNSTUDERINGS RAPPORT
WORKSHOP QUESTIONAIRE
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
CONTACT
ABOUT US
About Us
The Dancers
The Artistic Director
TALAWA TECHNIQUE
ABOUT THE TALAWA TECHNIQUE
THEORY/ARTICLES
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
The Octopus Principle in the Talawa Technique™
THE GREETING AND OPENING CLASS
Pedagogical tool: Rhythmokinetic Prosody and Rhythmokinetic Prosodic Sounding
AFRICANA DANCE COMMON AESTHETIC THREADS AND FUNCTIONS
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
TALAWA TECHNIQUE- RHYTHMIC CONCEPTS UNPACKED
RHYTHMIC CONCEPTS UNPACKED
MUSICAL RHYTHM CONCEPTS
VISUAL REPRESENTATION OF RHYTHM
RHYTHM PHYSICS AND RHYTHM RECEPTION
THE TECHNOLOGIES OF BODY & SPACE.
FULLJOYMENT PRAXIS
The Circle and Wining in the Caribbean and African Diaspora: An Embodied Exploration
Caribbean Dance Index
LIMBO DANCE INFO
ANANSIS WEB
GLOSSARY OF UNIQUE AND CONTEXTUAL TERMS
RESOURCES
TABANKA TEAM
TALAWA CORE & ESSENTIALS
Class & Workshop Reportform
Upper Body Workout
Lower Body Workout
Tilstedelister
PERFORMANCE REGISTRATION FORM
INNSTUDERINGS RAPPORT
WORKSHOP QUESTIONAIRE
CATEGORISATIONS USED IN STUDYING INDIGENOUS DANCE THROUGH THE TALAWA TECHNQUE
PERFORMANCE REGISTRATION FORM
PERFORMANCE FORM
Performers
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
Name of performer
First
Last
Phone
Email
CLIENT
Name of Client/event
NAME OF PRODUCTION, VENUE AND AUDIENCE
Name of Performance
Which show or excerpt of show
Choreographers
Venue of Performance
Amount of audiences
how many were in the audience
Number of performances
How many performances?
Percentage Melaninrich
Rehearsal Period
When did you start rehearsing?
MM slash DD slash YYYY
When did you finish rehearsing?
MM slash DD slash YYYY
Performance Period
Performance start dates
MM slash DD slash YYYY
Performance end dates
MM slash DD slash YYYY
Post Category
Art
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Beauty
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gloMinerals
HAND AKIMBOs
London
Music
My Call
Only when we dance
Oslo World Music Festival
OWMF
Performance
Pulse
Racism
rasisme
Showcase
─ Video
Soul sessions
Sponsorship
Stjernekamp
Talawa Technique
TV
Uncategorized
Section Break
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